Learn How To Butcher, Smoke and Can a Whole Fish with Chef Neil Davidson
Admit it: When faced with fish, you buy fillets. But why? Is it the face? The fins? Fear of scales? Fear of bones? Well, get over it. Now that our local sport and commercial salmon fishing season is open, you might very well find yourself tempted–or treated–to a whole fish, and when that happens, it’s handy to know how to handle it.
It’s also much more economical, and sustainable, to feed yourself nose-to-fin on a whole wild fish. Maria Finn, Bay Area Bites writer, former commercial salmon fisherwoman, and author of The Whole Fish: How Adventurous Eating of Seafood Can Make You Healthier, Sexier, and Help Save the Ocean recently teamed up with chef Neil Davidson of Mission Gastroclub and the Whip Out food truck to teach a hands-on class in scaling, filleting, preserving, and smoking whole fish at home.
Maria Finn and Neil Davidson teaching Whole Fish Fabrication and Preservation Class. Photo: Wendy Goodfriend
The class, presented by the Center for Urban Education about Sustainable Agriculture (CUESA) and Urban Kitchen SF, was held from 5:30 to 7:30pm last Thursday in CUESA’s outdoor kitchen, under the porticos of the Ferry Building. It’s not the most comfortable place for a cooking class; it’s outside, after all, and instructions can be hard to hear over traffic noise as cars, trucks, and motorcycles screech and toot their way along The Embarcadero just yards away.
Still, it’s hard not to be entranced by the massive, silvery whole salmon laid out in front of Davidson. This is the creme de la creme of Pacific Coast salmon: a wild king, fresh from the ocean just north of Sonoma County. Of course, as Finn points out, tasty, healthful dishes can be made from all five of our local salmon types, including pink, chum, silver, and sockeye. But for superlative texture and flavor, the king is king.
Whole King Salmon. Photo: Wendy Goodfriend
Davidson goes over the fish, telling us what to look for when choosing a fish: eyes that look clear and full, still sitting high in the socket, not sunken into the head; no cuts or slashes on the body; fins that are still in good shape. This fish has already been gutted, so there’s just a neat cavity where the guts would have been. Picking up a thin, flexible, slightly curved filleting knife, Davidson quickly scrapes off the scales using the back (dull side) of the knife. This is a job to do outside, if possible, since the small, mica-like scales will pop off and fly everywhere.
Chef Neil Davidson removing scales from a whole salmon. Photo: Wendy Goodfriend
Once the fish is scaled, Davidson crunches his knife through the spine just behind the head, then slides it across the broad flanks of the fish along the ribs and spine all way to the tail, effortlessly freeing the whole long stretch of flesh from the bones. It looks easy only because he’s been doing it professionally for years, from cooking school in Portland, OR to stints at The French Laundry and Ad Hoc. But, as he points out, the knife should be doing most of the work for you; what he’s doing is mainly guiding it over the bones, following the structure of the fish. Angle the knife slightly downward, so that it won’t cut up and into the flesh.
Chef Neil Davidson demonstrates filleting the king salmon. Photo: Wendy Goodfriend
Filleting whole salmon side by Chef Neil Davidson. Video by Stephanie Rosenbaum
Along the bottom of each fillet is the belly meat, thickly streaked with white fat. As Finn points out, it’s delicious (and full of beneficial omega-3 fats) but less meaty, which means it’s often sliced off and discarded by fishmongers.
Once he’s freed up both sides, he points out the other delicious bits still left: the thick ring of flesh just behind the head, known as the collar, that makes for a delicious roast, since it’s so fatty; the cheeks; the flesh you can scrape from the bones with the edge of a spoon and use for salmon patties or croquettes. The head, boiled with ginger and seaweed, makes a good broth that can be mixed with miso for a Japanese-styled soup.
Chef Neil Davidson uses a spoon to scrape remains of salmon from bones to use for fish patties. Photo: Wendy Goodfriend
With needle-nose pliers (or bone tweezers), Davidson quickly yanks out the pin bones studding the fillet. For smoking, he’d leave the bones in, to help preserve the shape of the fish, but for grilling or poaching, fewer bones are preferable.
Chef Neil Davidson uses needle-nose pliers to remove pin bones from salmon. Photo: Wendy Goodfriend
Today, we’re putting the fillets through a quick cure, to pull out some of the liquid before poaching. If you’ve ever made bacon, the process will be familiar. The cure is equal parts (by weight) of salt and sugar. Finn notes that some native tribes in Alaska add pine tips to their cures; this being Mediterranean-minded San Francisco, Davidson adds some shreds of preserved Meyer lemon rind to his. Davidson skins the fillet before curing; without the skin, the fish will cure faster.
To skin it, he lays the side of fish skin side down, close to the edge of the counter. He cuts straight down through the flesh (but not through the skin) about half an inch from the tail, making a little tab of skin to hold onto with the hand that’s not holding the knife. Holding one end of skin taut as you cut helps steady the fish and make it easier to get all the way down to that sweet spot right between the flesh and skin. Then, he slides the knife parallel to the counter, cutting the flesh free from the skin in one steady motion.
Skinning a Whole Side of Salmon. Video by Stephanie Rosenbaum
We get to practice our filleting and skinning, not on salmon, but on smaller, less expensive (and more approachable) black cod, each roughly the size of a trout. Finn assures us that black cod is also a great candidate for curing, poaching, and smoking.
To cure, Davidson lines a sheet pan with plastic wrap or aluminum foil, spreads out a thick layer of the salt/sugar mixture, tops it with the skinned fillet, then covers the fish with the rest of the mixture. Then goes into the fridge, ideally for one hour for every inch of thickness. If you’re planning to smoke your fish, once the fish is cured, rinse off the salt/sugar mixture, pat the fish dry, and return the fish to rest in the fridge, uncovered, overnight. The surface will dry out and feel slightly tacky; the fish will take the smoke best like this.
On the stove, Davidson has been heating up a wide saucepan half-filled with olive oil, bringing it up to a temperature between 160-180ºF. Once the fish is cured, it’s rinsed off, patted dry, then slipped into the warm oil to poach. In five minutes, the fish has paled and gone from translucent to opaque. Once it flakes easily, it’s done. Scooped out of the oil, it’s packed firmly into clean canning jars, to just below the lowest “ridge” of the screw-top indentations. The cooking oil (no need to use extra-virgin; a decent pure olive oil is fine) is poured through a fine-mesh strainer to completely cover the fish and fill the jar. Using a skewer, poke through the jar and make sure there are no air bubbles. Cover with canning jar lids and rings. It’s best to store home-canned fish in the refrigerator. As long as the fish is thoroughly covered in oil, it can last for several months.
Davidson packs a few jars to demonstrate, then fills a plate for us to taste. It’s moist, mild, and rich, much better than any store-bought canned salmon I’ve ever tasted.
Next, we move on smoking. Like scaling, this is best done outside, since the smoke from both the charcoal and the wood chips will smoke up any kitchen not equipped with near-professional quality vents over the stove (and plenty of windows). Using a perforated grilling tray, Davidson gets some charcoal glowing over the burner of the outdoor stove, then spreads it over the bottom of a heavy, 6-inch deep hotel pan. He tosses a handful of wood chips in another perforated tray, gets them burning, then douses them lightly with water to put out the flames, leaving them smoking. The smoking chip pan goes over the charcoal. Another perforated pan goes upside down over the chips and charcoal, and the salmon is laid out on top. A lid goes over the pan, and voila: it’s a hot-smoking smoke box, which will cook and smoke the fish.
Two or three times, Davidson adds more smoking wood chips, slipping them onto the charcoal at the bottom of the pan. At 145-150ºF, the fish is cooked, lifting easily off the skin and with a lacquered-looking amber surface. He slides the fish onto a plate, and in moments, the heap of warm-from-the-smoker salmon is demolished, down to a smudge of oil and a few stray pin bones.
Chef Neil Davidson serves up the smoked salmon to enthusiastic students. Photo: Wendy Goodfriend
Recipe: Cured and Olive-Oil Poached Black Cod
Black cod, also known as sablefish, is less expensive than salmon, but has a firm, rich flesh that’s well-suited to oil-poaching and canning. Recipe courtesy of Neil Davidson.
Explore: chefs, cooking techniques and tips, culinary education and classes, events, photo gallery, recipes, sustainability, environment, climate change, black cod, cooking class, fish, salmon, sustainable seafood, wild salmon
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Stephanie Rosenbaum Klassen
Stephanie Rosenbaum Klassen is a longtime local food writer, author, and cook. Her books include The Art of Vintage Cocktails (Egg & Dart Press), World of Doughnuts (Egg & Dart Press); Kids in the Kitchen: Fun Food (Williams Sonoma); Honey from Flower to Table (Chronicle Books) and The Astrology Cookbook: A Cosmic Guide to Feasts of Love (Manic D Press). She has studied organic farming at UCSC and holds a certificate in Ecological Horticulture from the Center for Agroecology and Sustainable Food Systems. She does frequent cooking demonstrations at local farmers’ markets and has taught food writing at Media Alliance in San Francisco and the Continuing Education program at Stanford University. She has been the lead restaurant critic for the San Francisco Bay Guardian as well as for San Francisco magazine. She has been an assistant chef at the Headlands Center for the Arts, an artists' residency program located in the Marin Headlands, and a production cook at the Marin Sun Farms Cafe in Pt Reyes Station. After some 20 years in San Francisco interspersed with stints in Oakland, Santa Cruz, Brooklyn, and Manhattan, she recently moved to Sonoma county but still writes in San Francisco several days a week.
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